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CLICK the showtime you want to attend to purchase tickets!
ELECTRONIC TICKET: You do not need to print out the tickets
- Show Type: Stand Up Comedy
- Table seating, Seating is first come first served
- Age Restrictions: 16 & over
- There is a two-item minimum per person, can be any two items that we sell
VIP Package tickets include priority seating for the show with complimentary strawberries & champagne. You must be checked in at least a half hour before the showtime for priority seating. Seating is only held until a half hour before the show.
A native New Yorker and internationally touring stand-up comedian, Andrew Schulz is known for his hilarious and unapologetic viewpoints. Schulz challenges conventional wisdom with a NYC tone that is often idiotic, at times brilliant, and always hysterical. He was 2018’s and is currently 2019’s most viewed stand-up comedian on YouTube, reaching over 4 million views per week. His latest comedy special VIEWS FROM THE CIS has been viewed over 5.1 million times. Schulz’s debut comedy album 551 was #1 on Billboard, Apple Music, Spotify, iTunes, Google Play, and Amazon Music. Andrew has been a guest on THE JOE ROGAN EXPERIENCE twice this year, both times with episodes lasting over three hours.
His two podcasts – THE BRILLIANT IDIOTS and FLAGRANT 2 – receive over 400K listens per episode. You can see Schulz in BENDERS on Netflix and THERE’S…JOHNNY! on Hulu. His experience on the big screen includes Whitney Cummings’ film THE FEMALE BRAIN, as well as WRITE WHEN YOU GET WORK and 7 FISHES & CHRISTMAS ‘83. While at MTV, Schulz starred in numerous shows for the network, including GUY CODE, GIRL CODE, JOBS THAT DON’T SUCK, and UNCOMMON SENSE.
Andrew Schulz has three weekly shows on his YouTube channel centered on stand-up. On UNSAFE SETS, Andrew drops a new joke every week from his Matador Tour, and you can follow the tour selling out nationwide on DROPPING IN, where he explores cities during the day and turn his experiences into jokes on stage that night. On INSIDE JOKES, comics bring their most divisive material, find the funny, and see if they work in front of audiences.